From March to about one week ago I've been heads down and bum up on University studies, which has left me desperate for creative time. Infuriating, frustrating and downright depressing,
Not much happenin'.
Nada.
Then I got a commission to make a guest wedding book through Discover Me, Emporium of Gorgeousness, which gave me the perfect excuse to down the study and make a book. A real book with actual paper and everything. Both exciting and ironic. I say that because my study has all been on line, not a scrap of paper to be seen, just webpages, wiki's and blogs.
And paper feels sooooo good.
Really sexy.
So here's the book for Claire, and her man.
Handmade Indian paper cover, 40 leaf blank pages. Coptic bound. Claire, hope you enjoy, and here's to your happy and long marriage.
And here's to school holidays where I can have time to make more stuff.
Showing posts with label book art. Show all posts
Showing posts with label book art. Show all posts
Saturday, July 5, 2014
Friday, March 7, 2014
Sigh no more
This post is dedicated to the memory of Carol.
And while you read it and look perhaps you might like to tune into this gorgeous song Sigh No More with the beautiful lyrics by Shakespeare. I can't get it out of my brain at the moment, it appears to me in dreams and in every waking moment ever since I heard it on Joss Whedon's Much Ado About Nothing.
There is no right or wrong way to grieve, everyone does it in their own fashion. For me, I like to pour it into an artwork. I find the process of making something truly therapeutic, it gives me time to reflect and something to give away at the end. A kind of symbolic letting go.
This is a fabric book I made for Carol's partner to use as he wishes, and in some small way, help him process his grief. It's a bit girly, well, VERY girly. But hey ho, so was Carol, so let's acknowledge that beautiful feminine person with something equally feminine.
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| Recuerdos - mixed media, vintage fabrics, eco dyed mull, found objects. |
The brown fabric is mull, eco dyed with NZ harakeke seed pods. Embellishments are vintage beads, buttons and lace. The pages have been left plain, ready to fill up with memories, photos and stories. Binding is simple long stitch.
Saturday, November 2, 2013
Discover Me
I've recently joined a NZ on-line shopping community called Discover Me and am hoping I might sell a few of my hand-made things. You see, I keep producing stuff, of which some I keep and some I give away as gifts, but often I make more things than I need to keep or giveaway. But yet I still keep producing because, after all folks, it's the journey rather than the destination that is the important thing. And to be honest, financial income doesn't really play a significant part, it's just a bonus. So now I have the option of listing some of my work for the Kiwi market on-line. Check it out!
Wednesday, July 17, 2013
Eco-print Fabric Journal
Last few months I've been playing around with dyeing fabrics and paper with leaves, India Flint style. The muted salmon pinks and browns along with vintage lace and vintage found objects, old jewellry, form into a book that has an aged and worn look about it (much like myself). Here is the result, an embellished journal made entirely by hand stitching with a long-stitch binding.
What I love most about this book is the combination of recycling objects from nature with objects that are made. Creates a nice symmetry I think.
What I love most about this book is the combination of recycling objects from nature with objects that are made. Creates a nice symmetry I think.
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| Front Cover |
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| Back cover |
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| Spine |
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| Opened book |
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| Inside pages |
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| Page print - Eucalyptus leaves |
Tuesday, July 2, 2013
Dyeing to Print III - paper technique
About 2 months ago, I put down a couple of jars of solar dyes. One with flax seeds and one with morning glory. I left them for a month in the weak autumn sun. When I took off the lids, phew, did these babies stink!! Putrid rotten leaves, dumped by the neighbours fenceline, and jars quickly stuffed in the dishwasher. The results were quite subtle, but give a good aged feel to the fabric. And once they are rinsed in rain water and dried, thankfully the smell dissipates.
Here are the results. Morning glory produced a pale pink, salmony colour. The flax, a sort of tea shade, more of an English Breakfast than Lady Grey.
This sample is from a fabric book I have been making with the Eco dyed and Eco printed calico and mull. To make the pages for this book I followed the technique documented by Cassandra Tondro
My dyeing equipment doesn't yet include a very large pan, so to get all my pages in the pot I had to cut them first after spraying with alum spray.
Each page is stuffed with autumn leaves, made into a bundle tied up with string.
This is placed in a pot, on a rack above water, and weighted down with an old iron trivet that weighs a ton. This bundle was steamed for 2 hours, then left to cool.
Once cooled, I couldn't wait to unpack it.
Each page has a unique print of leaf, some darker and more distinct than others. In particular, eucalyptus and loquat work really well.
The next day, when fully dry, I ironed them using a dry iron, and folded them into the book pages ready to bind into the cover. I will blog the finished product next time.........
Here are the results. Morning glory produced a pale pink, salmony colour. The flax, a sort of tea shade, more of an English Breakfast than Lady Grey.
This sample is from a fabric book I have been making with the Eco dyed and Eco printed calico and mull. To make the pages for this book I followed the technique documented by Cassandra Tondro
My dyeing equipment doesn't yet include a very large pan, so to get all my pages in the pot I had to cut them first after spraying with alum spray.
Each page is stuffed with autumn leaves, made into a bundle tied up with string.
Each page has a unique print of leaf, some darker and more distinct than others. In particular, eucalyptus and loquat work really well.
The pages were laid flat - on the kitchen floor - to dry, while I batted the cat, who loves shredding paper, away from my work.
Sunday, July 22, 2012
In a frenzy, yet again.....
I have a million ideas spinning around my head, here is where my prioritizing skills will come in handy. In November I am part of a group exhibition at A Fine Line Gallery in Matakana called Ink, Paper, Thread. Yes November seems a long way away but that does not seem to reassure me out of my sense of panic when I think about how many works I have yet to finish, and how many more left to start even. But start I have, and hopefully by the time we hang I'll have 6 pieces done. Ink, Paper, Thread is to be presented by a group of 11 women who are either book artists, calligraphers or printmakers. Our work will be varied, but basically the common thread (is that trying to be punny?) is the use of paper, ink and threads as the main medium used in construction. It's going to be exciting and unique.
I can tell you it takes a long time to make 109 tiny paper beads, several cups of coffee and an episode of Junior Masterchef later.........These beads were formally from a 1950s edition of a Boys Our Own annual, the story is called 'Masquerade in Baghdad' which sounds quite mysterious dont you think? These will be incorporated into an installation somehow, don't know quite how but the call was heard and I followed it, destination unknown. Watch this space.
Tuesday, May 1, 2012
Going insane about rust...
Today I had the privilege of learning a rusting technique from one of my creative book artist colleagues, Zona. The results were amazing and I'm sure I will be doing this again and again on different mediums to incorporate into my book making and mixed media shrines.
To do this rusting you need 3 spray bottles. The size of the bottle, and hence the nozzle, makes a difference to the result so it pays to experiment. First bottle - a concentrated solution made of tea, we used regular gumboot but I will be experimenting with herbal teas later. Second bottle - solution of ferrous sulphate. Third bottle - weak solution of caustic soda. The second two ingredients come from the hardware store, those blokes at Mitre 10 will be looking at me sideways yet again..... "what, a woman wants to buy men's stuff???".
Peg your paper on a rack over the lawn, or surface where drips don't matter. Spray your paper with each of these solutions, starting with the tea, following with the ferrous and lastly the caustic. Don't wait for the layers to dry, drips running down the paper adds to the effect. Drips are your friend. If after the first go your paper isn't quite what you want, then keep going with layers of each solution until you have something gobsmackingly fabulous. Once the paper is dry you can rinse it with plain water to remove the caustic.
Experiment with different papers, we found that the cheap ungessoed book cloth absorbed the liquids better than the one with gesso. Papers that are coloured or printed give wonderful results.
Thank you Zona for sharing your amazing knowledge. Days like this bring nourishment to the soul.
To do this rusting you need 3 spray bottles. The size of the bottle, and hence the nozzle, makes a difference to the result so it pays to experiment. First bottle - a concentrated solution made of tea, we used regular gumboot but I will be experimenting with herbal teas later. Second bottle - solution of ferrous sulphate. Third bottle - weak solution of caustic soda. The second two ingredients come from the hardware store, those blokes at Mitre 10 will be looking at me sideways yet again..... "what, a woman wants to buy men's stuff???".
Peg your paper on a rack over the lawn, or surface where drips don't matter. Spray your paper with each of these solutions, starting with the tea, following with the ferrous and lastly the caustic. Don't wait for the layers to dry, drips running down the paper adds to the effect. Drips are your friend. If after the first go your paper isn't quite what you want, then keep going with layers of each solution until you have something gobsmackingly fabulous. Once the paper is dry you can rinse it with plain water to remove the caustic.
Experiment with different papers, we found that the cheap ungessoed book cloth absorbed the liquids better than the one with gesso. Papers that are coloured or printed give wonderful results.
Thank you Zona for sharing your amazing knowledge. Days like this bring nourishment to the soul.
Saturday, February 4, 2012
New Fabric Books
as inspired by Ailie Snow. I'm getting the hang of the technique now and I've discovered that if you take a bit of fabric and your sewing kit on holiday you can work on these while away from home, particularly if it's raining which it did 5 days out of 7 on my summer break this year. Not that I'm complaining because I can't do anything about the weather, and it enforced rest on me. Plenty of good novels and cups of rosy-lee. Could be worse huh?
Thursday, January 5, 2012
First Fabric Covered Journal
Wednesday, November 9, 2011
Happy Birthday to Depot Artspace
It's been 15 years since the Depot Artspace opened in Devonport. My friend, the darling Ruby Piddington has organised an exhibition there to mark the event, and has asked me to show a piece. Plus she's organised the Depot Dot exhibition, incorporating a small white circle and asking artists to showcase their work on it. So I had a bit of fun with this, created with found objects and lots of PVA. The ballerina is off my childhood jewellrey box, if you keep something long enough it will find a new place in the world. This is the smallest book I've ever made, coptic bound and fits into a pill box. I have added a milagro for good luck, for the new owner, assuming someone buys it.
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| I went over the lines. |
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| the smallest book |
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| she's been with me since I were a little girl |
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