Why I rip dolls heads off.....

People think I'm a tad on the strange side when I tell them I rip the heads of dollies. Can't think why? No doubt those same people may be offended by my treatment of Jesus and the Madonna as well.

This latest assemblage is influenced by the Mexican Day_of_the_Dead. Dia de los Muertos, a religious holiday related to the Catholic All Saints Day, honoring those that have gone before us and celebrating their lives.

I found these small statuettes, candelabra and a doll at the hospice garage sale - another place where we remember the dead - and in typical DeMengian usage of 'inherant thingyness' put them together in this table centrepiece. The crystal in the middle has healing properties.

It is an evolving piece, I hope to have it covered with black drippy wax and spider webs in time to come. I find it infuriating that candles these days are all non-drip. I love to play with drippy wax, something quite therapeutic in that.

Eco-print Fabric Journal

Last few months I've been playing around with dyeing fabrics and paper with leaves, India Flint style. The muted salmon pinks and browns along with vintage lace and vintage found objects, old jewellry, form into a book that has an aged and worn look about it (much like myself). Here is the result, an embellished journal made entirely by hand stitching with a long-stitch binding.

What I love most about this book is the combination of recycling objects from nature with objects that are made. Creates a nice symmetry I think.

Front Cover

Back cover

Spine

Opened book

Inside pages

Page print - Eucalyptus leaves

Dyeing to Print III - paper technique

About 2 months ago, I put down a couple of jars of solar dyes. One with flax seeds and one with morning glory. I left them for a month in the weak autumn sun. When I took off the lids, phew, did these babies stink!! Putrid rotten leaves, dumped by the neighbours fenceline, and jars quickly stuffed in the dishwasher. The results were quite subtle, but give a good aged feel to the fabric. And once they are rinsed in rain water and dried, thankfully the smell dissipates.

Here are the results. Morning glory produced a pale pink, salmony colour. The flax, a sort of tea shade, more of an English Breakfast than Lady Grey.

This sample is from a fabric book I have been making with the Eco dyed and Eco printed calico and mull. To make the pages for this book I followed the technique documented by Cassandra Tondro
My dyeing equipment doesn't yet include a very large pan, so to get all my pages in the pot I had to cut them first after spraying with alum spray.

Each page is stuffed with autumn leaves, made into a bundle tied up with string.

This is placed in a pot, on a rack above water, and weighted down with an old iron trivet that weighs a ton. This bundle was steamed for 2 hours, then left to cool.

Once cooled, I couldn't wait to unpack it.

Each page has a unique print of leaf, some darker and more distinct than others. In particular, eucalyptus and loquat work really well.

The pages were laid flat - on the kitchen floor - to dry, while I batted the cat, who loves shredding paper, away from my work.

The next day, when fully dry, I ironed them using a dry iron, and folded them into the book pages ready to bind into the cover. I will blog the finished product next time.........

Dyeing to Print II: Solar dyes

......and even easier than Hapa Zome ecoprinting is the technique of Solar Dyeing. This is done with a natural fabric, your leaves, flowers, seeds, berries etc, water and sealable jars, and you need plenty of patience because this technique requires time to brew. It feels a bit witchy, having potions on my deck in the sun.

India Flint, guru of Eco-printing suggests this technique. Put your fabric into a jar, clean or not because whatever was in there before may make an interesting mordant. Squash in your leaves etc and cover with water. Add an extra mordant if you want, then seal it up and leave it in the sun for some time. 

In the small jar on the left I have cotton mull, screwed up tight and wound with string to hopefully create some variation in pattern. This potion contains NZ flax pods and seeds, crushed, and a tea bag for mordant. In the jar on the right, I have unbleached calico folded with morning glory flowers in between layers, then more morning glory flowers crushed on top. For a mordant I used alum. Both jars are filled with rain water. I took this photo the same day I put the mix down, already you can see a lot of dye extracted. India doesn't say exactly how long, but I'm choosing to leave mine for at least one month (I can only resist the temptation of opening them earlier by leaving the country!). 

Dyeing to Print I: Hapa Zome

I've been experimenting with dyeing (not dying) from natural materials lately. I'm inspired by the work of the goddess of Eco Printing, India Flint. The easiest and by far the quickest results are by using Hapa Zome, or as it's otherwise known, beating the c**p out of leaves. The technique is fairly simple although it does take a bit of practice and the results are variable.

Collect some leaves, preferably freshly fallen onto the ground so you are not damaging trees. In theory, you don't even need to leave your garden (assuming you don't live in a tenement block). I found quite quickly which leaves work and which don't. Flowers and seed pods also give interesting results. Lay down a piece of thickish cardboard onto a firm surface. Lay your fabric on top. Use only natural fabrics e.g. cotton, calico, mull, silk. You should use  mordant to assist the natural dyes to 'bind' to the fabric. I use alum 10% spray, it's easy to buy at the hardware (hydrangea food). Preferably you will have soaked your fabric with the mordant first, then dry it before trying Hapa Zome technique. I soaked mine after, and found the dyes to fade quite a lot.

On top of your fabric, lay your leaf flat, then place on top a piece of paper. Get a hammer. You can use a mallet, which I would have done except ours (whose name is Sandra for some odd reason) has gone walkabout. Beat the paper on top of the leaf, not too much or the leaf will mush up and soak into the fabric or worse still, the fabric will wear a hole. By the way, if the neighbours have been pissing you off lately, this is good way to get revenge. Otherwise you might want to warn them because I tell you, this is addictive. You could be noisy ALL day.

Peel off paper and leaf. Wait for the dye to dry, then steam iron. These are some of the results I got the first time.

Bougainvillia

Ivy

Morning Glory

Maple

And my personal favourite, Harakeke pods.
These suckers have a lot of natural dye.